The path was concrete,
Following some old idea of a slope
Down from gravel road
Over grass—lush to the threshold
Of overgrown, or perhaps
Neglected to the edge of overmuch—
Stuffed with such a bunch of snowdrops
And the occasional half-felled elm.
But the foot-worn secret track
Paced through a colonnade of thick-
Bloomed apple trees that had thrown
Their arms (or were they legs or lips
Or wings) agape, naked, buttery
Yellow-white, droplet-moist
With dew, with careless stickiness.
As I wound down again, again
I felt (and not unpleasantly)
The morning melt into a humid hum
Of birds and insects, blunt breeze
In this tree and that, wet leaves
And buzzing things tuned to a sleepy
Ceaseless mumble by the sun.
I would sit beneath the apple blooms,
And strum the grass with my feet,
And imagine that the pale white
petal-skin boughs, by bloom weight
Spread apart, were like my secret
subject, almost flesh and blood—
Hid by incompleteness in the
Pregnant space between desire
On that naked afternoon (sweating,
Breathless as one can only be alone)
And the few real visions in the grass.
For like the ripple, up-down, in a pool—
The slapping of a rock thrown with the wind
Into a waiting pond—there were two
Trajectories, opposing eptitudes:
The dream I kept like a well-
Worn journal in my belt, borne
From one orchard to the next
To add a word, adjust a phrase,
Yet sound as constant as a sacred text.
The waking held its humid sticky damp
Just out of bounds—too high a branch
However high I learned to reach.
I came day after day, awake, asleep,
To hunt until I found the apple root,
While summer after summer passed
Like damp and naked skin
Beneath my hands.EJR
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